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Online-Offline: What works, what doesn’t?

Lecturers and students from various institutes talk to Monarose Sheila Pereira about their preference...

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Back on the Burning Train

Film historian Dhruv Somani, takes you back on a ride to India’s first disaster movie directed by Ravi Chopra, which had...

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ACTOR with a CAUSE

Khalid Mohamed’s heartspeak with Atul Kulkarni, the actor of substance and spleen, who has lately been making waves with...

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Music Knows No Caste

After garnering critical acclaim and winning the FIPRESCI Award at the Bangladesh International Film Festival 2022, Bangladeshi filmmaker Shabn...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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This Distance

Humra Quraishi talks about the senselessness of war and its impact on the lives of helpless people – she questions the p...

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Winds of Change in Uttar Pradesh

Subhashini Ali analyses the political scenario in Uttar Pradesh, soon going to elections, and finds that the winds of change seem imminent.

Fast-mo...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

The Performing Arts in Lockdown

Art needs to be showcased. Various artists speak to Monarose Sheila Pereira about their work during the pandemic. Tu...

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